1 名前：HONEY MILKφ ★：2013/08/31(土) 13:02:54.08 ID:???

[08/27分]

釜山（プサン）沙下（サハ）警察署は27日、市内バスでオナニーをしたパク某容疑者（37歳）に
対し、公然わいせつの疑いで書類送検した。

パク容疑者は去る20日の午後1時、釜山鎮区・西面（プサンジング・ソミョン）から西区・東大市場
（ソグ・トンデシジャン）へ運行中の座席バスで、正面に座っていた女子高生のAさん（18歳）を
見ながらオナニーをして性的羞恥心を感じさせた疑いを受けている。

申告を受けた警察は、バスに設置された監視カメラの映像を分析してパク容疑者を検挙した。

ソース：NAVER/釜山=NEWSIS（韓国語）
http://news.naver.com/main/read.nhn?mode=LSD&mid=sec&sid1=102&oid=003&aid=0005339915

【韓国】「バス停でオナニー」～バーバリーマン検挙（釜山）[08/09]
http://awabi.2ch.net/test/read.cgi/news4plus/1376007294/l50


引用元：http://awabi.2ch.net/test/read.cgi/news4plus/1377921774

Comments

1. 名前：名無し腐敗   2013年08月31日 14:19 ID:TEUdMGEj0

レイプでなくてオナニーなんだから褒めてやるわ
他人に直接的な危害を与えなくなったなんて成長したな
次は周りを不快にさせないようにする事を勉強しようか

2. 名前：名無し腐敗   2013年08月31日 14:51 ID:HHRord.S0

何やねん根性無しめが（笑）
そんな貧相な7.5サンチ砲を公衆の面前に晒すとは
コンプレックスの裏返しかよ？（笑）

しかし所構わず「国技」に走る奴を最近見ないのは
韓国男も軟弱になったという事なんだろうか？（笑）

3. 名前：名無し腐敗   2013年09月01日 06:38 ID:M3e5sLet0

国内で国技やってるうちは日本人も生暖かい目で見守ってるな

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5. 名前：hermes cravatte   2014年10月26日 22:01 ID:Wi6g4CcI0

This Seated Woman, as the painting was originally titled, is one of the three works Ingres was required to send to Paris as a student at the French Academy in Rome (the other two being a Half length portrait of a woman bathing, 1807, now in the Mus茅e Bonnat in Bayonne, and an Oedipus and the Sphinx, 1808, now in the Louvre). It was an odd choice of subject for a student at the Academy. The few critics who commented on the work were unimpressed. Ingres's paintings had already caused a scandal at the 1806 Salon, particularly his Portrait of Napoleon I (Mus茅e de l'Arm茅e, Paris), punningly described as the "empereur mal ingre" (the emperor looking a bit ill) and a barbarian piece of work, and his portraits of the Rivi猫re family (Louvre). It was not until the Universal Exhibition in 1855 that the work received favorable notice from critics, including the Goncourt brothers, who wrote, "Rembrandt himself would have envied the amber color of this pale torso.""I was misled, Sirs, and I had to begin my education again." This is how Ingres described the shock of his first journey to Italy. Throughout his career he would divide his time between France and Italy, where he was director of the Villa M茅dicis from 1835 to 1841; the Valpin莽on Bather is one of the earliest paintings reflecting the influence Italy had on him. She is depicted nude, seen from behind, with a red sandal lying forgotten by her side. There is no mythological reference serving as pretext for the nude: she is the sole subject of the work and is framed by tapestries that highlight the arching curve of her back. She has what Baudelaire termed a "deep voluptuousness," yet her timeless immobility makes her somehow chaste. The scene is seemingly calm and simple. However, Ingres draws on numerous references, such as the Tuscan mannerists, including Bronzino; an engraving after Jacob van Loo's Coucher 脿 l'italienne (1650, Lyon, Mus茅e des Beaux Arts); and, above all, Raphael, the artist Ingres professed boundless admiration for all his life, particularly one of the the artist's Graces in the Loggia of Psyche at the Villa Farnesina.